Following The Leaders?

So, yesterday, Chris Brogan started the TwitterPacks project – designed to help answer the question “If someone were joining Twitter today, who might they follow?”. He kicked it off with a blog post, and a bunch of tweets. Now, there was some debate between myself and various others via @s and DMs and it seems people are confused on my position… So I thought I’d clarify.

Drawing The Line

I’m a fan of the idea. Twitter is a vast, vast community of people and trying to find groups of like minded individuals in it is getting more and more difficult by the day. I’ve been able to find other local Twitter users using the built in search, but finding other people who like, say, bowling, or who work at a specific company is not easy. So the idea of a list that answers “Who on Twitter is into bowling?” or “Who on Twitter works for ACME, Inc” is a really useful tool. I can understand, too, that not everyone is a fan of the search field, or fills in profile details, so a “Who on Twitter lives in Anytown” is also handy to have.

What I’m not a fan of is the execution – but I’m going to be a little shadowy here, so as to not hurt feelings. At the time of writing there are 8 people listed in the Toronto Pack. Now, in the interest of disclosure, I was following all of them prior to the pack’s creation. Had someone were to ask me “Who in Toronto should I follow on Twitter?” I would have probably rattled off a list of 10-12 people. Only 5 or so of the pack list make my list of recomended folk, despite me following all of them. I can also list people I feel are missing from the Montreal, Vancouver, Pittsburgh, PodCamp Pittsburgh and PodCamp Toronto packs.

So… Why Not Add Them?

The comment came up when I mentioned my stance to someone last night, that I could just add the people I feel are missing. The site is, after all, a wiki, and was designed specifically for any user to be able to add people. I have added a couple of people (Never myself, I don’t ever add myself or my projects to wikis), but then I decided I didn’t want to play anymore. Why? Well, what am I supposed to do with the people I DON’T feel should be on the list? I guess I leave them alone, right?  What’s to say they didn’t add themselves to the pack just to get a large number of followers? Or maybe Jane added John because she values his opinions – but she’s the only one who does?

The few people I added, were added because I either value what they say, or feel they bring unique perspective to conversations. Or both. I didn’t add myself to any of the packs I’m on, and I’m not sure who did, but I hope they did so looking at what I post to Twitter (Or my blog, or elsewhere) and added me based on who I was and what I have to say, and not simply because I know then through a specific channel or because we’re friends.

Next For Me

The TwitterPacks project is a really neat one to watch, but I’m not sure of a really neat way to FIX it. There has been some discussion on the original blog post, as well as on Chris’ follow-up, of new ways to “fix” the project, but I feel any method would be fundamentally flawed. A voting system can be gamed, a central body can be bribed (And sway based on personal opinion) and an open system, well, we’re seeing how well that one would work right now.

I chose to step out of the TwitterPacks project based on the fact that the decentralized, all-access system simply has too many holes. While I’ve been a fan of Wikipedia for years now, I’ve been known to critique them for similar issues. The major difference is that Wikipedia entries, most of the time, can’t be looked at as popularity contests. I’ve never been one to add or remove details about myself (or work I do) to any wiki, this one included – I only correct details. I’m not sure what the “removal” policies are on TwitterPacks, but I could easily see someone angry at this post removing me from the lists I’m on – and that’s OK by me.

I’ve always discovered new people to follow through word of mouth, or in-person events – and I’ll likely stick to that. A comment from someone else suggesting I follow you is a thousand times more valuable to me then seeing your name on a list. And finding me on a list of people? Well, hearing that someone personally recommended you follow me is a much larger compliment then any list could ever be.

My Twitter CD – Now On iTunes

So I was checking my e-mail this morning and got one from Benjamin who spotted my post about My Twitter CD and was considering purchasing the songs from it.

Well, when I made it, I had submitted it to iTunes as an iMix, and I checked today… And it’s live!

My Twitter CD consists of 11 tracks and is priced at $10.89. You can purchase the album in it’s entirety or each track individually. Grab it here.

Thanks again for participating to those who played. Watch my Twitter feed (and follow me if you aren’t) to play in the next one…

Listening to my Twitter CD

The other night I made the discovery that I had enough pre-paid credit in the Apple store to purchase 11 songs… Or a full CD. I don’t recall where I got the credit. I thought it would be a neat experiment to ask my followers on Twitter to pick songs and message them to me, and I’d buy the first 11 that made it in. I am posting them now, along with their submitters (Except for one anonymous person) and my first reactions following hearing the song for the first time.

My Twitter CD, in order of submittal:

  1. Perfect Timing (This Morning) by Orba Squara – This is better known as “The iPhone Song”. It’s a very mellow song. I’m just intrigued that the thing actually expanded out to a full song… I thought it was just a snippit written for the commercials. Not sure it’ll get a listen much more then this experiment. Submitted anonymously.
  2. Standing On The Balcony by Clever Bastards – iTunes classified this as “Pop” which made me a little wary of it… But it’s actually pretty decent. It’s sort of… Soft-pop mixed with country? It’s got a lot of guitar to it, but certainly has the up-beat tune of a pop song. I’ll be listening again for sure. May have to look into the artist, too. Submitted by @darylcognito
  3. Kiss Me by New Found Glory – I believe Sixpence None The Richer did this one first. Canadian (And near-by resident) Avril’s covered it too. Pretty decent cover, great changes. I’ll definitely have to look into more of their stuff. Submitted by @fanless
  4. The Good, the Bad and the Ugly by Ennio Morricone – This one’s classified as “Soundtrack” and is from a compilation of music from Clint Eastwood movies. I would have NEVER bought this on my own. But good buy. All dogether now… Ooey ooey ooooh. Submitted by @kurtisnelson
  5. Santa María (Del Buen Ayre) by Gotan Project – Classified as “Electronic”, it’s more of a latin-salsa-dance-remix thing. Actually sounds pretty decent. This was, for year, the only kind of music I’d listen to, so it brings back some pretty fun memories. Anything that started as one genre and moved to electronic/dance/techno, or could be tagged with “remix” is bound to stay on my list. Submitted by @danielerossi
  6. Keep It Simple by Cobra Starship – The submitter “warned” me that this group was “indie”. Itunes threw them into “alternative”. Either works for me,.. As does this song. There’s a local place that ALWAYS has this kind type of alternative playing live. I’d see them there. Would be a good night. Submitted by @nichm
  7. Acadian Driftwood by The Band – This one is confusing me. It’s supposed to be rock. Soft rock, maybe, certainly a taste of country to it. I think I hear a piccolo now.Maybe it’s a flute. It’s a little… too soft for me. Not sure it’ll get much play. Submitted by @geek
  8. Umbrella (Single Version) by Marié Digby – Oh, Marié. This is a cover of the same song as done by Rihanna. It’s a much slower, mellow, acoustic version. Marié is well-known for getting a lot of views on YouTube and is considered by some to be the poster child for going from YouTube to fame as she’s signed to a recording contract … The same one she was signed to before the YouTube videos went up. I would have bought this had the YouTube-to-fame story been true, but it wasn’t. So I have this soley because of the game. Submitted by @tlspodcast
  9. Y.M.C.A. (Can’t Stop the Music Version) by Villiage People – As the submitter put it – “A classic!”. Y’know… I hadn’t heard this in a while. I think I have it on a CD somewhere too. Definitely chair danced when this one came on. Great addition. Submitted by @xenith
  10. Am I Awake by They Might Be Giants – TMBG and I have a very … awkward relationship. It seems most of the time I’ll hear a song and think “Oh! That’s a nifty song”, it’s done by these guys. But any time someone else passes me their stuff, or I go looking because I heard something else of theirs I like, I don’t like it. Sadly, that relationship continues with this track. Submitted by @bassguy
  11. Miss Sarajevo by Bono, Brian Eno, L’Orchestra Filamonica Di Torino, Luciano Pavarotti, Michael Kamen & The Edge – I’m generally not a classical fan, nor an opera fan, so I wasn’t really holding my breath on this one … But it was surprising well done. It’s a verry ballady for the most part with Pavarotti bringing in during the chorus. It’s not really my cup of tea, but could have been had the opera bits been in English. Submitted by @carmanavenue

There you have it! This compilation was a whole lot of fun to put together, and was actually a blast to listen to, too.

One lesson from the ordeal? The iTunes Store sells different tracks in different countries. While they made a point at a recent event that each country’s store has 6,000,000+ tracks, they didn’t say they were all the same. My 6,000,000 songs in Canada may differ from yours. And if your store has, say, 7,000,000+… Then there’s a LOT more room for discrepancy. Apologies to @locobone, @johnbfromtn and @mrdirby who got snagged in the international distribution and DRM shuffle.

I’d suggest putting together an event like this of your own. The rules are easy, and the cost is minimal.

Thanks to everyone who participated in my experiment! The iMix has been posted and is awaiting confirmation. I’ll add the link when it goes live. Follow song titles to buy individual tracks. Enjoy!